Interview with the Vampire Season 2 Review: Another Triumph for TV's Greatest Gothic Drama

Exquisitely twisted and perversely romantic, Interview with the Vampire returns with another feast of juicy melodrama.

Once again the story unfolds over multiple timeframes, structured around the titular interview with 145-year-old vampire Louis de Pointe du Lac (Jacob Anderson). Speaking to journalist Daniel Molloy (Eric Bogosian), he narrates a gothic memoir of love, betrayal, self-loathing, and inhuman morality. Part interrogation, part therapy, these interview scenes see Daniel attempt to dissect Louis' curated recollections of the past.

It's not surprising to learn that several of IWTV's writers are playwrights. Anchored by Jacob Anderson's multifaceted performance, the show switches back and forth between maximalist emotion and tense psychodrama, backed by a sumptuous orchestral score by Daniel Hart. The characters often seem to be performing for an audience, whether it's literally on stage, or in a persona crafted for someone else's benefit. These self-absorbed monsters simply love to create drama.

9.0

Interview with the Vampire

at AMC

Like

• Jacob Anderson's multifaceted performance as the vampire Louis
• The clever interplay of the interview scenes
• The shameless enthusiasm for gothic melodrama
• Louis and Armand's fascinatingly complicated relationship

Dislike

• Lestat's absence leaves a noticeable gap in the main cast

Season 1 ended with a one-two punch of plot twists, as Louis recounted the bloody end of his relationship with Lestat de Lioncourt (Sam Reid) and revealed that his human assistant "Rashid" is actually his 514-year-old vampire lover, Armand (Assad Zaman). No wonder Daniel snidely compares Louis' life to a telenovela.

Keeping Armand on the backburner for an entire season was a thrillingly bold move, upending the power dynamics of the interview and giving Daniel a second source as we delve into Louis and Armand's first meeting in 1940s Paris.

After disposing of Lestat, Louis and Claudia (Delainey Hayles) travel through war-torn Europe in search of other vampires. Previously acting as father and daughter, they're now more like siblings, with Claudia dragging Louis along in her search for a vampiric family. Her quest leads them to the Théâtre des Vampires, a theater troupe who use gory cabaret to attract their human prey. Armand is their director, a subdued figure compared to showboating performers like the Théâtre's lead actor Santiago, a sexy egomaniac played to the hilt by the marvelous Ben Daniels. 

Replacing Claudia's original actor, Bailey Bass, Delainey Hayles reintroduces Claudia in a more mature role. Fearless but still yearning for recognition, she forges a new life while grappling with old, unsolvable problems. Immortality has trapped her in perpetual adolescence, a taboo in vampire culture. Intriguingly, her most interesting new relationship this season is with a human woman (Roxane Duran).

Louis, meanwhile, still struggles with his identity as a vampire. Wandering on the outskirts of human society, he becomes a compulsive photographer, trying to figure out his place in a world without Lestat. 

This season's biggest challenge is retaining the show's momentum without Sam Reid at center stage. His Lestat is the role of a lifetime: a magnetic tyrant whose powerhouse emotions balance out Jacob Anderson's more naturalistic performance. Their chemistry cemented IWTV as must-watch television, and you can't just throw that away. With Lestat unavoidably absent for this chunk of Louis' memories, the solution is to bring him back as a hallucinatory ghost, haunting Louis' blossoming romance with Armand. 

In yet another miraculous piece of casting, Assad Zaman is equally convincing as a steely vampiric leader and as a doe-eyed Renaissance muse. Surveying the world with a mournful, heavy-lidded gaze, his resting expression is haughty and serene. It's a serenity born of meticulous control, which Daniel Molloy threatens to disrupt.

Scorning Louis and Armand's cutesy displays as a happy couple, Daniel is now doubly motivated to find discrepancies in their story. His vampire hosts may hold all the physical power, but perhaps they made a mistake by inviting an investigative journalist over the threshold. 

Interview with the Vampire revels in the idea of subjective, unreliable narrators: redacted journals, emotional bias, supernatural hypnosis. Louis wants to take charge of his own story, narrating the historical flashbacks in a poetic, practiced monologue. He's probably been rehearsing this conversation for decades, keen to revise his first interview with Daniel in 1973 — a meeting that Daniel recalls with a suspicious lack of clarity. Behind this floats the specter of Armand-as-Rashid, sitting quietly in the corner of Louis' "solo" interview scenes last season. Armand wants to shape the narrative too.

In Season 1, Armand's ever-present iPad felt like an affectation of his secretarial persona. Now we recognize it as a facet of his controlling personality, constantly taking notes and managing his business at a distance. Back in the 1940s, this trait made itself known in his role as a theater director, watching from the rafters and scribbling in the margins of the company's scripts. Armand even takes his iPad to bed, a location that noticeably lacks the carnality of Louis' relationship with Lestat. 

Interview with the Vampire Returns Once More, With Feeling

Contrasting with Lestat's volatile passions, Armand presents himself as a civilized and caring partner. He's diligent and soft-spoken. He and Louis finish each other's sentences, mirroring their body language in coordinated outfits. Yet the absent Lestat still has immense gravitational pull in Louis' psyche. Driven by feverish desires and snarling fits of rage, his love was possessive, all-encompassing, and addictive. 

In a gothic romance, there's no escape and no happily-ever-after. Louis can't let go of Lestat, and Armand can't ignore Lestat's lingering presence in his lover's memories. Every permutation of this love triangle is toxic in its own way. Louis claims that Armand is the love of his life, but really he just exchanged one unhealthy relationship for another. You get the impression that Armand has spent decades troubleshooting the best way to keep Louis by his side, resulting in a soft, solicitous attitude with an undertone of Munchausen's by proxy. 

Armand's controlling influence extends to the architecture of their minimalist Dubai penthouse, a sort of luxury terrarium built to keep Louis contained. Once upon a time he visited jazz bars and rubbed shoulders with humanity. Now he's completely isolated from the outside world, cloistered away in a tax haven for business tycoons.

A set of decorative bars frame their bedroom like a cage, and the apartment's floor-to-ceiling windows represent a potential death trap for Louis. Unlike Armand, he's still young enough to be vulnerable to sunlight. Their household library is similarly tailored to Armand's superhuman powers, shelved in midair where Armand can fly up and peruse their collection but Louis — still stuck on the ground with the humans — faces a physical barrier to entry. 

Amid all this, you may find yourself hoping that this purse-mouthed little control freak gets what's coming to him. And that's the magic of Interview with the Vampire, because really, who are we kidding? Is Armand really the bad guy here? No! Everyone's the bad guy!

By any reasonable metric, all of the vampire characters are serial killers. At one point Armand and Louis have a flirty little chat while their pals massacre an entire mansion of partygoers in the background. It's absurd to analyze their story from a moralizing perspective. Claudia is probably the most sympathetic character of all, and she'd happily tear out throats from dusk till dawn. As for Lestat, we want him to return because he makes for good television, not because he's good for Louis.

This embrace of emotion over logic and ethics is what makes IWTV so compelling. Current pop culture isn't comfortable with melodrama, keeping it at arm's length with uncomfortable laughter and derogatory comparisons to soap opera. But Interview with the Vampire has no interest in irony or restraint. Its humor lies in the overlap between comedy and horror, and its central performances hinge on total commitment. Rarely do we see such a clever, creative work of adaptation, mining classic vampire tropes for a deliciously energizing take on the genre.

Premieres: Sunday, May 12 at 9/8c on AMC and AMC+
Who's in it: Jacob Anderson, Assad Zaman, Delainey Hayles, Eric Bogosian, Sam Reid, Ben Daniels
Who's behind it: Rolin Jones (showrunner), Hannah Moscovitch and Jonathan Ceniceroz (writers)
For fans of: Hannibal, Penny Dreadful, Servant
How many episodes we watched: 6 of 8